A term is often distribute more than two adjacent arkaan. Also, a syllable in a word that's Ordinarily regarded a protracted syllable, may be treated as a brief a person, if it doesn't match into the arkaan as well as bah'r. To paraphrase, the read more 'excess weight' of the syllables is usually lowered or maybe the pronunciation on the syllables might be hastened to suit the bah'r. wherever And exactly how one can do it truly is a posh concern in Urdu shaayari. There are elaborate regulations for doing so which are beyond the scope of this post. For now, all I'm able to suggest will be to think about the shaayari via the ustaads and find out how they have used a selected phrase in a selected situation. A glimpse of this element could possibly be noticed from the ashaar provided Together with the bah'rs in this post. you could possibly detect that selected phrases are actually placed towards a comparatively small portion (or syllable) of a rukn. these are typically the text whose pronunciation is altered to fit the bah'r. The bah'rs being reviewed Listed below are useful for the most well-liked forms of Urdu shaayari (like ghazal, nazm, qit'aa and geet/naghma and many others.), although not for all forms. Rubaayii, for instance, has its own list of bah'rs. Following are a few very routinely utilised bah'rs. you might locate the names tricky to keep in mind. But what is in a name! concentrate to the construction due to the fact that is definitely what issues. Every single bah'r is accompanied by a sher on it, damaged down according to the structure of your bah'r. If a word occurs being spread throughout more than one Portion of a rukn or across multiple rukn, its parts are joined by a hyphen (-). I have utilised my own ashaar to illustrate the bah'rs, but I'm also giving a traditional sher for every bah'r. you might have read the classic repeatedly, might have memorized it and thus might come across it simpler to capture the structure of the bah'r. Try to break these traditional ash'aar down based on the bah'r. Bah'r Hazaj Saalim bharii duniyaa sahii lekin Thikaanaa ham bhii paa leNge jahaaN do gaz zamiiN hogii wahiiN ham ghar banaa leNge Ma - faa - ii - lun Ma - faa - ii - lun Ma - faa - ii - lun Ma - faa - ii - lun bha - rii duni - yaa sa - hii le - kin Thi- kaa - naa ham bhii paa leN - ge ja - haaN do gaz za - miiN ho - gii wa - hiiN ham ghar ba-naa leN - ge basic Sher by Allama 'Iqbal': mitaa de apnii hastii ko agar kuchh martabaa chaahe ki daanaa Khaak meiN mil kar gul-e-gulzaar hotaa hai Bah'r Hazaj Musamman Akhrab KhwaaboN meiN banaaii thii aaNkhoN meiN sajaa lii hai tasviir tirii ham ne is dil meiN basaa lii hai Maf - uu - lu Ma - faa - ii - lun Maf - uu - lu Ma - faa - ii - lun Khwaa - boN meiN ba - naa - ii thii aaN - khoN meiN sa - jaa lii hai tas - vii - r ti - rii ham ne is dil meiN ba - saa lii hai common by 'Jigar' Moradabadi: kyaa husn ne samjhaa hai kya ishq ne jaanaa hai ham khaak-nashiinoN kii thokar meiN zamaanaa hai
1797 - 1869
famous Urdu poet occupying an area of pleasure in around the world literature. The most quotable poets acquiring couplets for almost all scenarios of lifetime
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پتھر برسانے والا کوئی رہ تو نہیں گیا پتھر برسانے والا کوئی رہ تو نہیں گیا
نہ تو زمیں کے لیے ہے نہ آسماں کے لیے جہاں ہے تیرے لیے تو نہیں جہاں کے لیے یہ عقل و دل ہیں شرر شعلۂ_محبت کے وہ خار_و_خس کے لیے ہے یہ نیستاں کے لیے مقام_پرورش_آہ_و_نالہ ہے یہ چمن نہ سیر_گل کے لیے ہے نہ آشیاں کے لیے رہے_گا راوی و نیل و فرات میں کب تک ترا سفینہ کہ ہے بحر_بیکراں کے لیے نشان_راہ دکھاتے تھے جو ستاروں کو ترس گئے ہیں کسی مرد_راہ_داں کے لیے نگہ بلند سخن دل_نواز جاں پرسوز یہی ہے رخت_سفر میر_کارواں کے لیے ذرا سی بات تھی اندیشۂ_عجم نے اسے بڑھا دیا ہے فقط زیب_داستاں کے لیے مرے گلو میں ہے اک نغمہ جبرائیل_آشوب سنبھال کر جسے رکھا ہے لا_مکاں کے لیے
رہا کر مجھے یا سزا دے اے عادل رہا کر مجھے یا سزا دے اے عادل
Urdu Shayari is regarded as The ultimate way to explain interior thoughts in words and phrases for people who can recognize this language perfectly. Poetry in Urdu and poets are famous on the planet as Allama Iqbal is regarded as the poet in the East.
Tahzeeb Hafi's poetry on this web site is really a delightful exploration of human activities. it is a abundant assortment of verses that contact the center and provoke thoughtful reflection.
up to now, poets utilized to put in writing poetry on social issues such as poverty and slavery. Also, apart from that, they have been producing on cultural matters likewise.
hazaaro.n KHvaahishe.n aisii ki har KHvaahish pe dam nikle bahut nikle mire armaan lekin phir bhii kam nikle
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Welcome towards the Urdu Poetry Archive! Urdu poetry is sort of a broad ocean. strolling along its shores on the sands of your time, I have collected a couple of gems that I would like to share along with you.
افراد اور قومیں ختم ہو جاتی ہیں۔ مگر ان کے بچے یعنی تصورات کبھی ختم نہیں ہوتے۔